The technology allows the film to repeat the past more perfectly than previously thought possible, but Luhrmann — who squeezes more computer-generated fakery into this story than anyone else could ever fit into a story about a bunch of rich white people living in Long Island — never aims for authenticity. He isn’t capable of it, anyway. On the contrary, his take on the literary classics finds other, more ecstatically truthful ways of expressing its fidelity to Fitzgerald’s landmark text. Using technology, music, and the sheer emptiness of raw spectacle, he translates the exuberant spirit of the Jazz Age for an audience raised on Jay-Z, and wedges a wide enough rift between style and substance for Gatsby himself to fit comfortably inside.


Satisfied customers are saying